“Le opere di Jens-Flemming Sørensen hanno l’architettura in sé - e intorno a loro. Questi elementi architettonici contengono segni e simboli attraverso i quali il passato comunica con chiunque sia capace di decifrare le sue scritte. L’architettura che sta intorno alle cose è essenziale, poiché non è possibile giustificare completamente le sculture di “Jens-Flemming Sørensen senza tener conto dell’ambiente che le circonda e delle strutture che sorgono in prossimità” (Peter Michael Hornung).
“Jens-Flemming Sørensen’s works have architecture in them - and around them. These architectural elements can contain signs and symbols through which the past communicates with whoever is able to decipher its writing. The architecture around the things is essential, inasmuch as one cannot fully justify Jens-Flemming Sørensen sculptures without allowing for the setting that surrounds them and the buildings that rise in their proximity” (Peter Michael Hornung).
“Jens-Flemming Sørensen’s works have architecture in them - and around them. These architectural elements can contain signs and symbols through which the past communicates with whoever is able to decipher its writing. The architecture around the things is essential, inasmuch as one cannot fully justify Jens-Flemming Sørensen sculptures without allowing for the setting that surrounds them and the buildings that rise in their proximity” (Peter Michael Hornung).
Polistampa, 2000
Pagine: 104
Caratteristiche: ill. b/n e col., br.
Formato: 25x28
ISBN: 978-88-8304-154-9
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