Massimo Bertozzi is A critic and art historian, for more than twenty years he was curator of the exhibition spaces of the Palazzo Ducale in Massa, activating a close collaboration with the Hermitage Museum in St. Petersburg, which allowed him to set up exhibitions of great scientific importance (The Marbles of the Tsars, Homage to the New Hermitage, Sotto il Cielo di Roma, La lanterna della Pittura, La Collezione Farsetti del Museo Ermitage) and to organise contemporary sculpture exhibitions such as Scultura Lingua Viva and Giuliano Vangi Scultore in the halls of the Winter Palace.

For the city of Massa, he has also designed and curated numerous urban spaces, in collaboration with sculptors, such as Il Trionfo di Afrodite, by Vito Tongiani, in Piazza del Mercato. Anubis by Novello Finotti in Piazza del Mercato; the Piazza dei Coccodrilli by Girolamo Ciulla in Castagnola and In pietra alpestre e dura by Pino Castagna in Piazza Bad Kissingen.

In 2015 he curated the Guadagnucci Museum at the Villa della Rinchiostra in Massa, where he has been Director since 2016.

Since 2015, he has also been curator of the exhibition spaces at Palazzo Cucchiari in Carrara, where, on behalf of the Giorgio Conti Foundation, he has set up exhibitions of great historical interest such as: Canova e i Maestri del marmo (2015); Vedute del Gran Tour dal Museo Ermitage e paesaggi apuani da collezioni italiane (2016), Dopo Canova (2017) and Colori e forme del lavoro: da Fattori, Lega e Signorini a Balla e Boccioni (2018), also realising contemporary art exhibition events such as Michelangelo fotografato da Aurelio Amendola (2016), Sculture e scultori nei paesi del marmo (2016), Giuliano Vangi Una scultura per l'Ermitage (2016), Luca Pignatelli (2017).